WEEK 17

   Key stage 4/5 Read of the week

My Family and Other Animals by Gerald Durrell

Summary;

When the unconventional Durrell family can no longer endure the damp, gray English climate, they do what any sensible family would do: sell their house and relocate to the sunny Greek isle of Corfu. My Family and Other Animals was intended to embrace the natural history of the island but ended up as a delightful account of Durrell’s family’s experiences, from the many eccentric hangers-on to the ceaseless procession of puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies into their home.

Extract:

The Speech for the Defence

‘Why, sometimes I’ve believed as many as six impossible things before breakfast.’

The White Queen – Through the Looking Glass

This is the story of a five-year sojourn that I and my family made on the Greek island of Corfu. It was originally intended to be a mildly nostalgic account of the natural history of the island, but I made a grave mistake by introducing my family into the book in the first few pages. Having got themselves on paper, they then proceeded to establish themselves and invite various friends to share the chapters. It was only with the greatest difficulty, and by exercising considerable cunning, that I managed to retain a few pages here and there which I could devote exclusively to animals.

I have attempted to draw an accurate and unexaggerated picture of my family in the following pages; they appear as I saw them. To explain some of their more curious ways, however, I feel that I should state that at the time we were in Corfu the family were all quite young: Larry, the eldest, was twenty-three; Leslie was nineteen; Margo eighteen; while I was the youngest, being of the tender and impressionable age of ten. We have never been very certain of my mother’s age, for the simple reason that she can never remember her date of birth; all I can say is that she was old enough to have four children. My mother also insists that I explain that she is a widow for, as she so penetratingly observed, you never know what people might think.

In order to compress five years of incident, observation, and pleasant living into something a little less lengthy than the Encyclopædia Britannica, I have been forced to telescope, prune, and graft, so that there is little left of the original continuity of events. Also I have been forced to leave out many happenings and characters that I would have liked to describe.

It is doubtful if this would have been written without the help and enthusiasm of the following people. I mention this so that blame can be laid in the right quarter. My grateful thanks, then, to:

Dr Theodore Stephanides. With typical generosity, he allowed me to make use of material from his unpublished work on Corfu, and supplied me with a number of dreadful puns, some of which I have used.

My family. They, after all, unconsciously provided a lot of the material and helped me considerably during the writing of the book by arguing ferociously and rarely agreeing about any incident on which I consulted them.

My wife, who pleased me by laughing uproariously when reading the manuscript, only to inform me that it was my spelling that amused her.

Sophie, my secretary, who was responsible for the introduction of commas and the ruthless eradication of the split infinitive.

I should like to pay a special tribute to my mother, to whom this book is dedicated. Like a gentle, enthusiastic, and understanding Noah, she has steered her vessel full of strange progeny through the stormy seas of life with great skill, always faced with the possibility of mutiny, always surrounded by the dangerous shoals of overdraft and extravagance, never being sure that her navigation would be approved by the crew, but certain that she would be blamed for anything that went wrong. That she survived the voyage is a miracle, but survive it she did, and, moreover, with her reason more or less intact. As my brother Larry rightly points out, we can be proud of the way we have brought her up; she is a credit to us. That she has reached that happy Nirvana where nothing shocks or startles is exemplified by the fact that one weekend recently, when all alone in the house, she was treated to the sudden arrival of a series of crates containing two pelicans, a scarlet ibis, a vulture, and eight monkeys. A lesser mortal might have quailed at such a contingency, but not Mother. On Monday morning I found her in the garage being pursued round and round by an irate pelican which she was trying to feed with sardines from a tin.

‘I’m glad you’ve come, dear,’ she panted; ‘this pelican is a little difficult to handle.’

When I asked her how she knew the animals belonged to me, she replied, ‘Well, of course I knew they were yours, dear; who else would send pelicans to me?’

Which goes to show how well she knows at least one of her family.

Lastly, I would like to make a point of stressing that all the anecdotes about the island and the islanders are absolutely true. Living in Corfu was rather like living in one of the more flamboyant and slapstick comic operas. The whole atmosphere and charm of the place was, I think, summed up neatly on an Admiralty map we had, which showed the island and the adjacent coastline in great detail. At the bottom was a little inset which read:

CAUTION: As the buoys marking the shoals are often out of position, mariners are cautioned to be on their guard when navigating these shores.

The White Tiger by Aravind Adiga

Summary:

Introducing a major literary talent, The White Tiger offers a story of coruscating wit, blistering suspense, and questionable morality, told by the most volatile, captivating, and utterly inimitable narrator that this millennium has yet seen.

Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life—having nothing but his own wits to help him along.

Born in the dark heart of India, Balram gets a break when he is hired as a driver for his village's wealthiest man, two house Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son. From behind the wheel of their Honda City car, Balram's new world is a revelation. While his peers flip through the pages of Murder Weekly ("Love -- Rape -- Revenge!"), barter for girls, drink liquor (Thunderbolt), and perpetuate the Great Rooster Coop of Indian society, Balram watches his employers bribe foreign ministers for tax breaks, barter for girls, drink liquor (single-malt whiskey), and play their own role in the Rooster Coop. Balram learns how to siphon gas, deal with corrupt mechanics, and refill and resell Johnnie Walker Black Label bottles (all but one). He also finds a way out of the Coop that no one else inside it can perceive.

Balram's eyes penetrate India as few outsiders can: the cockroaches and the call centers; the prostitutes and the worshippers; the ancient and Internet cultures; the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger. And with a charisma as undeniable as it is unexpected, Balram teaches us that religion doesn't create virtue, and money doesn't solve every problem -- but decency can still be found in a corrupt world, and you can get what you want out of life if you eavesdrop on the right conversations.

The White Tiger recalls The Death of Vishnu and Bangkok 8 in ambition, scope, and narrative genius, with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation —and a startling, provocative debut.

Extract:

The First Night

For the Desk of:

His Excellency Wen Jiabao
The Premier's Office
Beijing
Capital of the Freedom-loving Nation of China


From the Desk of:

"The White Tiger"
A Thinking Man
And an Entrepreneur
Living in the world's center of Technology and Outsourcing
Electronics City Phase 1 (just off Hosur Main Road)
Bangalore, India


Mr. Premier,

Sir.

Neither you nor I speak English, but there are some things that can be said only in English.

My ex-employer the late Mr. Ashok's ex-wife, Pinky Madam, taught me one of these things; and at 11:32 p.m. today, which was about ten minutes ago, when the lady on All India Radio announced, "Premier Jiabao is coming to Bangalore next week," I said that thing at once.

In fact, each time when great men like you visit our country I say it. Not that I have anything against great men. In my way, sir, I consider myself one of your kind. But whenever I see our prime minister and his distinguished sidekicks drive to the airport in black cars and get out and do namastes before you in front of a TV camera and tell you about how moral and saintly India is, I have to say that thing in English.

Now, you are visiting us this week, Your Excellency, aren't you? All India Radio is usually reliable in these matters.

That was a joke, sir.

Ha!

That's why I want to ask you directly if you really are coming to Bangalore. Because if you are, I have something important to tell you. See, the lady on the radio said, "Mr. Jiabao is on a mission: he wants to know the truth about Bangalore."

My blood froze. If anyone knows the truth about Bangalore, it's me.

Next, the lady announcer said, "Mr. Jiabao wants to meet some Indian entrepreneurs and hear the story of their success from their own lips."

She explained a little. Apparently, sir, you Chinese are far ahead of us in every respect, except that you don't have entrepreneurs. And our nation, though it has no drinking water, electricity, sewage system, public transportation, sense of hygiene, discipline, courtesy, or punctuality, does have entrepreneurs. Thousands and thousands of them. Especially in the field of technology. And these entrepreneurs -- we entrepreneurs -- have set up all these outsourcing companies that virtually run America now.

You hope to learn how to make a few Chinese entrepreneurs, that's why you're visiting. That made me feel good. But then it hit me that in keeping with international protocol, the prime minister and foreign minister of my country will meet you at the airport with garlands, small take-home sandalwood statues of Gandhi, and a booklet full of information about India's past, present, and future.

That's when I had to say that thing in English, sir. Out loud.

That was at 11:37 p.m. Five minutes ago.

I don't just swear and curse. I'm a man of action and change. I decided right there and then to start dictating a letter to you. To begin with, let me tell you of my great admiration for the ancient nation of China.

I read about your history in a book, Exciting Tales of the Exotic East, that I found on the pavement, back in the days when I was trying to get some enlightenment by going through the Sunday secondhand book market in Old Delhi. This book was mostly about pirates and gold in Hong Kong, but it did have some useful background information too: it said that you Chinese are great lovers of freedom and individual liberty. The British tried to make you their servants, but you never let them do it. I admire that, Mr. Premier.

I was a servant once, you see.

WEEK 16

  Key stage 4/5 Read of the week

Slaughterhouse-Five by Kurt Vonnegut Jr

Summary: 

Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.”

An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it.

Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

Extract:

Chapter One

All this happened, more or less. The war parts, anyway, are pretty much true. One guy I knew really was shot in Dresden for taking a teapot that wasn't his. Another guy I knew really did threaten to have his personal enemies killed by hired gunmen after the war. And so on. I've changed all the names.

I really did go back to Dresden with Guggenheim money (God love it) in 1967. It looked a lot like Dayton, Ohio, more open spaces than Dayton has. There must be tons of human bone meal in the ground.

I went back there with an old war buddy, Bernard V. O'Hare, and we made friends with a cab driver, who took us to the slaughterhouse where we had been locked up at night as prisoners of war. His name was Gerhard Müller. He told us that he was a prisoner of the Americans for a while. We asked him how it was to live under Communism, and he said that it was terrible at first, because everybody had to work so hard, and because there wasn't much shelter or food or clothing. But things were much better now. He had a pleasant little apartment, and his daughter was getting an excellent education. His mother was incinerated in the Dresden fire-storm. So it goes.

He sent O'Hare a postcard at Christmastime, and here is what it said:

"I wish you and your family also as to your friend Merry Christmas and a happy New Year and I hope that we'll meet again in a world of peace and freedom in the taxi cab if the accident will."

I like that very much: "If the accident will."

I would hate to tell you what this lousy little book cost me in money and anxiety and time. When I got home from the Second World War twenty-three years ago, I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen. And I thought, too, that it would be a masterpiece or at least make me a lot of money, since the subject was so big.

But not many words about Dresden came from my mind then -- not enough of them to make a book, anyway. And not many words come now, either, when I have become an old fart with his memories and his Pall Malls, with his sons full grown.

I think of how useless the Dresden part of my memory has been, and yet how tempting Dresden has been to write about, and I am reminded of the famous limerick:

There was a young man from Stamboul, Who soliloquized thus to his tool: "You took all my wealth And you ruined my health, And now you won't pee, you old fool."

And I'm reminded, too, of the song that goes:


My name is Yon Yonson, I work in Wisconsin, I work in a lumbermill there. The people I meet when I walk down the street, They say, "What's your name?" And I say, My name is Yon Yonson, I work in Wisconsin..."

And so on to infinity.

Over the years, people I've met have often asked me what I'm working on, and I've usually replied that the main thing was a book about Dresden.

I said that to Harrison Starr, the movie-maker, one time, and he raised his eyebrows and inquired, "Is it an anti-war book?"

"Yes," I said. "I guess."

"You know what I say to people when I hear they're writing anti-war books?"

"No. What do you say, Harrison Starr?"

"I say, 'Why don't you write an anti-glacier book instead?' "

What he meant, of course, was that there would always be wars, that they were as easy to stop as glaciers. I believe that, too.

And even if wars didn't keep coming like glaciers, there would still be plain old death.

When I was somewhat younger, working on my famous Dresden book, I asked an old war buddy named Bernard V. O'Hare if I could come to see him. He was a district attorney in Pennsylvania. I was a writer on Cape Cod. We had been privates in the war, infantry scouts. We had never expected to make any money after the war, but we were doing quite well.

I had the Bell Telephone Company find him for me. They are wonderful that way. I have this disease late at night sometimes, involving alcohol and the telephone. I get drunk, and I drive my wife away with a breath like mustard gas and roses. And then, speaking gravely and elegantly into the telephone, I ask the telephone operators to connect me with this friend or that one, from whom I have not heard in years.

I got O'Hare on the line in this way. He is short and I am tall. We were Mutt and Jeff in the war. We were captured together in the war. I told him who I was on the telephone. He had no trouble believing it. He was up. He was reading. Everybody else in his house was asleep.

"Listen--" I said, "I'm writing this book about Dresden. I'd like some help remembering stuff. I wonder if I could come down and see you, and we could drink and talk and remember."

He was unenthusiastic. He said he couldn't remember much. He told me, though, to come ahead.

"I think the climax of the book will be the execution of poor old Edgar Derby," I said. "The irony is so great. A whole city gets burned down, and thousands and thousands of people are killed. And then this one American foot soldier is arrested in the ruins for taking a teapot. And he's given a regular trial, and then he's shot by a firing squad."

"Um," said O'Hare.

"Don't you think that's really where the climax should come?"

"I don't know anything about it," he said. "That's your trade, not mine."

As a trafficker in climaxes and thrills and characterization and wonderful dialogue and suspense and confrontations, I had outlined the Dresden story many times. The best outline I ever made, or anyway the prettiest one, was on the back of a roll of wallpaper.

I used my daughter's crayons, a different color for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle. And the blue line met the red line and then the yellow line, and the yellow line stopped because the character represented by the yellow line was dead. And so on. The destruction of Dresden was represented by a vertical band of orange cross-hatching, and all the lines that were still alive passed through it, came out the other side.

The end, where all the lines stopped, was a beetfield on the Elbe, outside of Halle. The rain was coming down. The war in Europe had been over for a couple of weeks. We were formed in ranks, with Russian soldiers guarding us -- Englishmen, Americans, Dutchmen, Belgians, Frenchmen, Canadians, South Africans, New Zealanders, Australians, thousands of us about to stop being prisoners of war.

And on the other side of the field were thousands of Russians and Poles and Yugoslavians and so on guarded by American soldiers. An exchange was made there in the rain -- one for one. O'Hare and I climbed into the back of an American truck with a lot of others. O'Hare didn't have any souvenirs. Almost everybody else did. I had a ceremonial Luftwaffe saber, still do. The rabid little American I call Paul Lazzaro in this book had about a quart of diamonds and emeralds and rubies and so on. He had taken these from dead people in the cellars of Dresden. So it goes.

Key stage 3 Read of the week

I am Number Four by Pittacus Lore

Summary:

The first book of the #1 New York Times bestselling series and the inspiration for the hit movie from Dreamworks!

John Smith seems like an ordinary teenager, living a normal life with his guardian Henri in Paradise, Ohio. But for John, keeping a low profile is essential, because he is not an ordinary teenager. He’s an alien from the planet Lorien, and he’s on the run. A group of evil aliens from the planet Mogadore, who destroyed his world, are hunting anyone who escaped.

Nine Loric children were sent to Earth to live in hiding until they grew up and developed their Legacies, powers that would help them fight back—and help them save us. Three of them are now dead. John is Number Four, and he knows he’s next….

Michael Bay, director of Transformers, raved: “Number Four is a hero for this generation.” This epic story is perfect for fans of action-packed science fiction like The 5th Wave series by Rick Yancey, The Maze Runner series by James Dashner, and Orson Scott Card’s Ender’s Game.

The battle for Earth’s survival wages on. 

Extract: 

I Am Number Four: Book One of the Loric Legacies

By Pittacus Lore

The events in this book are real. Names and places have been changed to protect the Lorien Six, who remain in hiding. Take this as your first warning. Other civilizations do exist. Some of them seek to destroy you.

The door starts shaking. It's a flimsy thing of bamboo shoots held together with tattered lengths of twine. The shake is subtle and stops almost immediately. They lift their heads to listen, a fourteen-year-old boy, and a fifty-year-old man, who everyone thinks is his father, but who was born near a different jungle on a different planet hundreds of light-years away. They are lying shirtless on opposite sides of the hut, a mosquito net over each cot. They hear a distant crash, like the sound of animals breaking the branch of a tree, but in this case, it sounds like the entire tree has been broken.

"What was that?" the boy asks.

"Shh," the man replies.

The hear the chirp of insects, nothing more. The man brings his legs over the side of the cot when the shake starts again. A longer, firmer shake, and another crash, this time closer. The man gets to his feet and walks slowly to the door. Silence. The man takes a deep breath as he inches his hand to the latch. The boy sits up.

"No," the man whispers, and in that instant, the blade of a sword, long and gleaming, made of a shining white metal that is not found on Earth, comes through the door and sinks deeply into the man's chest. It protrudes six inches out through his back, and is quickly pulled free. The man grunts. The boy gasps.

The man takes a single breath, and utters one word: "Run." He falls lifelessly to the floor.

The boy leaps from the cot, bursts through the rear wall. He doesn't bother with the door or a window, he literally runs through the wall, which breaks apart as if it's paper, though it is made of strong, hard, African mahogany. He tears into the Congo night. He is not a normal fourteen-year-old boy. He leaps over trees. He runs at a speed somewhere around sixty miles per hour. His sight and hearing are beyond human. He dodges trees, rips through snarled vines, leaps small streams with a single step. Heavy footsteps are close behind him, getting closer every second. His pursuers also have gifts. And they have
something with them. Something he has only heard hints of, something he never believed he would see on Earth.

The crashing gets closer. The boy hears a low intense roar. He knows whatever is behind him is picking up speed. He sees a break in the jungle ahead of him. When he reaches it, he sees a huge ravine, three hundred feet across and three hundred feet down, with a river at the bottom. The river's bank is covered with huge boulders. Boulders that would break him apart if he fell on them. His only chance is to get across the ravine. He'll have a short running start, and one chance. One chance to save his own life. Even for him, or for any of the others on Earth like him, it's an almost impossible leap. Going back, or going down, or trying to fight them means certain death. He has one shot.

There's a deafening roar behind him. They're twenty, thirty feet away. He takes five steps back and runs—and just before the ledge, he takes off and starts flying across the ravine. He's in the air three or four seconds. He screams, his arms outstretched in front of him, waiting for either safety or the end. He hits the ground and tumbles forward, stopping at the base of a mammoth tree. He smiles. He can't believe he made it, that he's going to survive. Not wanting them to see him, and knowing he needs to get farther away from them, he stands. He'll have to keep running.