WEEK 7

    Key stage 3 Read of the week:

The Lion, the Witch and the Wardrobe by C.S. Lewis

Narnia… the land beyond the wardrobe door, a secret place frozen in eternal winter, a magical country waiting to be set free.

Lucy is the first to find the secret of the wardrobe in the professor's mysterious old house. At first her brothers and sister don't believe her when she tells of her visit to the land of Narnia. But soon Edmund, then Peter and Susan step through the wardrobe themselves. In Narnia they find a country buried under the evil enchantment of the White Witch. When they meet the Lion Aslan, they realize they've been called to a great adventure and bravely join the battle to free Narnia from the Witch's sinister spell.

Extract:

A few mornings later Peter and Edmund were looking at the suit of armour and wondering if they could take it to bits when the two girls rushed into the room and said, “Look out! Here comes the Macready and a whole gang with her.”
“Sharp’s the word,” said Peter, and all four made off through the door at the far end of the room. But when they had got out into the Green Room and beyond it, into the Library, they suddenly heard voices ahead of them, and realized that Mrs Macready must be bringing her party of sightseers up the back stairs – instead of up the front stairs as they had expected. And after that – whether it was that they lost their heads, or that Mrs Macready was trying to catch them, or that some magic in the house had come to life and was chasing them into Narnia they seemed to find themselves being followed everywhere, until at last Susan said, “Oh bother those trippers! Here – let’s get into the Wardrobe Room till they’ve passed. No one will follow us in there.” But the moment they were inside they heard the voices in the passage – and then someone fumbling at the door – and then they saw the handle turning.
“Quick!” said Peter, “there’s nowhere else,” and flung open the wardrobe. All four of them bundled inside it and sat there, panting, in the dark. Peter held the door closed but did not shut it; for, of course, he remembered, as every sensible person does, that you should never never shut yourself up in a wardrobe.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“I wish the Macready would hurry up and take all these people away,” said Susan presently, “I’m getting horribly cramped.”
“And what a filthy smell of camphor!” said Edmund.
“I expect the pockets of these coats are full of it,” said Susan, “to keep away the moths.”
“There’s something sticking into my back,” said Peter.
“And isn’t it cold?” said Susan.
“Now that you mention it, it is cold,” said Peter, “and hang it all, it’s wet too. What’s the matter with this place? I’m sitting on something wet. It’s getting wetter every minute.” He struggled to his feet.
“Let’s get out,” said Edmund, “they’ve gone.”
“O-o-oh!” said Susan suddenly, and everyone asked her what was the matter.
“I’m sitting against a tree,” said Susan, “and look! It’s getting light – over there.”
“By Jove, you’re right,” said Peter, “and look there – and there. It’s trees all round. And this wet stuff is snow. Why, I do believe we’ve got into Lucy’s wood after all.”
And now there was no mistaking it and all four children stood blinking in the daylight of a winter day. Behind them were coats hanging on pegs, in front of them were snow-covered trees.
Peter turned at once to Lucy.
“I apologize for not believing you,” he said, “I’m sorry. Will you shake hands?”
“Of course,” said Lucy, and did.
“And now,” said Susan, “what do we do next?”
“Do?” said Peter, “why, go and explore the wood, of course.”
“Ugh!” said Susan, stamping her feet, “it’s pretty cold. What about putting on some of these coats?”
“They’re not ours,” said Peter doubtfully.
“I am sure nobody would mind,” said Susan; “it isn’t as if we wanted to take them out of the house; we shan’t take them even out of the wardrobe.”
“I never thought of that, Su,” said Peter. “Of course, now you put it that way, I see. No one could say you had bagged a coat as long as you leave it in the wardrobe where you found it. And I suppose this whole country is in the wardrobe.”
They immediately carried out Susan’s very sensible plan. The coats were rather too big for them so that they came down to their heels and looked more like royal robes than coats when they had put them on. But they all felt a good deal warmer and each thought the others looked better in their new get-up and more suitable to the landscape.
“We can pretend we are Arctic explorers,” said Lucy.
“This is going to be exciting enough without pretending,” said Peter, as he began leading the way forward into the forest. There were heavy darkish clouds overhead and it looked as if there might be more snow before night.
“I say,” began Edmund presently, “oughtn’t we to be bearing a bit more to the left, that is, if we are aiming for the lamp-post?” He had forgotten for the moment that he must pretend never to have been in the wood before. The moment the words were out of his mouth he realized that he had given himself away. Everyone stopped; everyone stared at him. Peter whistled.
“So you really were here,” he said, “that time Lu said she’d met you in here – and you made out she was telling lies.”

There was a dead silence. “Well, of all the poisonous little beasts -” said Peter, and shrugged his shoulders and said no more. There seemed, indeed, no more to say, and presently the four resumed their journey; but Edmund was saying to himself, “I’ll pay you all out for this, you pack of stuck-up, self-satisfied prigs.”

   Key stage 4/5 Read of the week:

A Child's Christmas in Wales - Dylan Thomas

A Child's Christmas in Wales is a piece of prose by the Welsh poet Dylan Thomas recorded by Thomas in 1952. Emerging from an earlier piece he wrote for BBC Radio, the work is an anecdotal reminiscence of a Christmas from the viewpoint of a young boy, portraying a nostalgic and simpler time.

Extract:

One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland, though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or, if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar cat. But soon the voice grew louder.
'Fire! ' cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a newspaper over his face. But he was standing in the middle of the room, saying, 'A fine Christmas! ' and smacking at the smoke with a slipper.

'Call the fire brigade,' cried Mrs. Prothero as she beat the gong.
'There won't be there,' said Mr. Prothero, 'it's Christmas.'
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his slipper as though he were conducting.
'Do something,' he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and ran out of the house to the telephone box.

'Let's call the police as well,' Jim said. 'And the ambulance.' 'And Ernie Jenkins, he likes fires.'

WEEK 6

   Key stage 3 Read of the week:

Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death's threshold to restore the balance.Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death's threshold to restore the balance.

EXTRACT:

The island of Gont, a single mountain that lifts its peak a mile above the storm-racked Northeast Sea, is a land famous for wizards. From the towns in its high valleys and the ports on its dark narrow bays many a Gontishman has gone forth to serve the Lords of the Archipelago in their cities as wizard or mage, or, looking for adventure, to wander working magic from isle to isle of all Earthsea. Of these some say the greatest, and surely the greatest voyager, was the man called Sparrowhawk, who in his day became both dragonlord and Archmage. His life is told of in the Deed of Ged and in many songs, but this is a tale of the time before his fame, before the songs were made.

Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death's threshold to restore the balance.

Key stage 4/5 Read of the week:

For many people watching football is mere entertainment, to some it's more like a ritual; but to others, its highs and lows provide a narrative to life itself.

For Nick Hornby, his devotion to the game has provided one of few constants in a life where the meaningful things - like growing up, leaving home, and forming relationships, both parental and romantic - have rarely been as simple or as uncomplicated as his love for Arsenal.

Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby's award-winning memoir captures the fever pitch of fandom — its agony and ecstasy, its community, and its defining role in thousands of young men's coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.

Extract:

It’s in there all the time, looking for a way out.

I wake up around ten, make two cups of tea, take them into the bedroom, place one on each side of the bed. We both sip thoughtfully; so soon after waking there are long, dream-filled gaps between the occasional remark—about the rain outside, about last night, about smoking in the bedroom when I have agreed not to. She asks what I’m doing this week, and I think: (1) I’m seeing Matthew on Wednesday. (2) Matthew’s still got my Champions video. (3)[1] I wonder what he thought of Anders Limpar.

And in three easy stages, within fifteen, twenty minutes of waking, I’m on my way. I see Limpar running at Gillespie, swaying to his right, going down: PENALTY! DIXON SCORES! 2-0! … Merson’s back-heel flick and Smith’s right-foot shot into the far corner in the same match … Merson’s little push past Grobbelaar up at Anfield … Davis’s swivel and smash against Villa … (And this, remember, is a morning in July, our month off, when there is no club football of any kind.) Sometimes, when I let this dreamy state take me over completely, I go on and back, through Anfield ’89, Wembley ’87, Stamford Bridge ’78, my whole footballing life flashing before my eyes.

“What are you thinking about?” she asks.

At this point I lie. I wasn’t thinking about Martin Amis or Gerard Depardieu or the Labour Party at all. But then, obsessives have no choice; they have to lie on occasions like this. If we told the truth every time, then we would be unable to maintain relationships with anyone from the real world. We would be left to rot with our Arsenal programmes or our collection of original blue-label Stax records or our King Charles spaniels, and our two-minute daydreams would become longer and longer and longer until we lost our jobs and stopped bathing and shaving and eating, and we would lie on the floor in our own filth rewinding the video again and again in an attempt to memorise by heart the whole of the commentary, including David Pleat’s expert analysis, for the night of 26th of May 1989. (You think I had to look the date up? Ha!) The truth is this: for alarmingly large chunks of an average day, I am a moron.

WEEK FIVE

   Key stage 3 Read of the week:

It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

Extract:

Playing Pilgrims

"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.

"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got Father and Mother and each other," said Beth contentedly from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't." And Meg shook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy Undine and Sintram for myself. I've wanted it so long," said Jo, who was a bookworm.

"I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.

"I shall get a nice box of Faber's drawing pencils. I really need them," said Amy decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun. I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.

"I know I do-teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or cry?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.



"I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.

"I know what I mean, and you needn't be satirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.

"Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! how happy and good we'd be, if we had no worries!" said Meg, who could remember better times.

"You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."

"So I did, Beth. Well, I think we are; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say."

"Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.

"Don't, Jo, it's so boyish!"

"That's why I do it."

"I detest rude, unladylike girls!"

"I hate affected, niminy-piminy chits!"

" 'Birds in their little nests agree,' " sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.

   Key stage 4/5 Read of the week:

My Cousin Rachel - Daphne du Maurier

56,963 ratings6,269 r

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet... might she have had a hand in Ambrose's death?

Chapter 1:
They used to hang men at Four Turnings in the old 
days. 

Not any more, though. Now, when a murderer pays the 
penalty for his crime, he does so up at Bodmin, after fair 
trial at the Assizes. That is, if the law convicts him before 
his own conscience kills him. It is better so. Like a surgical 
operation. And the body has decent burial, though a name- 
less grave. When I was a child it was otherwise. I can remem- 
ber as a little lad seeing a fellow hang in chains where the 
four roads meet. His face and body were blackened with tar 
for preservation. He hung there for five weeks before they 
cut him down, and it was the fourth week that I saw him. 

He swung between earth and sky upon his gibbet, or, as 
my cousin Ambrose told me, betwixt heaven and hell. 
Heaven he would never achieve, and the hell that he had 
known was lost to him. Ambrose prodded at the body with 
his stick. I can see it now, moving with the wind like a 
weather-vane on a rusty pivot, a poor scarecrow of what 
had been a man. The rain had rotted his breeches, if not his 
body, and strips of worsted drooped from his swollen limbs 
like pulpy paper. 

It was winter, and some passing joker had placed a sprig 
of holly in the torn vest for celebration. Somehow, at seven 
years old, that seemed to me the final outrage, but I said 
nothing. Ambrose must have taken me there for a purpose, 
perhaps to test my nerve, to see if I would run away, or 
laugh, or cry. As my guardian, father, brother, counsellor, 
as in fact my whole world, he was for ever testing me. We 
walked around the gibbet, I remember, with Ambrose 
prodding and poking with his stick; and then he paused 
and lit his pipe, and laid his hand upon my shoulder. 

“There you are, Philip,” he said, “ids what we all come to 
in die end. Some upon a battlefield, some in bed, others 
according to their destiny. There's no escape. You can’t 
learn the lesson too young. But this is how a felon dies. A 
warning to you and me to lead the sober life.” We stood 
there side by side, watching the body swing, as though we 
were on a jaunt to Bodmin fair, and the corpse was old Sally 
to be hit for coconuts. ‘‘See what a moment of passion can 
bring upon a fellow,” said Ambrose. “Here is Tom Jenkyn, 
honest and dull, except when he drank too much. It’s true 
his wife was a scold, but that was no excuse to kill her. If we 
killed women for their tongues all men would be murderers.”